Fuck Yeah! Peter Cook: Guilty Party, by Peter Cook (1959)

fuckyeahpetercook:

(A police Constable and a police Inspector are in a police station. There is a knock at the door.)

INSPECTOR: See who that is, will you Constable?
CONSTABLE: It’s a Mr Prone, Inspector.
(Enter Mr Prone)
PRONE: Mr James Prone, Inspector, of Hawkchurch. I’m sorry to disturb you at this hour.
INSPECTOR: Not at all. Won’t you come in? What can we do for you?
PRONE: I’d just like you to ask me a few questions.
INSPECTOR: Questions? What about? There’s nothing wrong, is there?
PRONE: It’s purely a matter of routine, Inspector. There’s no need for you to feel alarmed, but you are in fact investigating a murder.
CONSTABLE: Murder? But this is horrible!
PRONE: Yes, Constable. Murder is an ugly thing. That is why I should be extremely grateful if you would help me bring the culprit to bear by asking me one or two simple questions.
INSPECTOR: But I don’t understand, Mr Prone. What kind of questions?
PRONE: Like ‘Did I know Mrs Tallow well?’
INSPECTOR: Only slightly. You used to play bridge together, but you don’t mean to say…
CONSTABLE: Is she? he’s not! She can’t be! She isn’t?
PRONE: I’m afraid so. She was found stabbed this morning at 11.31 between the third and fourth rib.
CONSTABLE: Poor Annie! Why did it have to be her> She never hurt a soul!
INSPECTOR: There, there Constable. You mustn’t upset yourself. You must excuse my Constable, Mr Prone. You see, he was much closer to her than I was. But I still don’t see what this horrible thing has got to do with you.
PRONE: Where was I this morning between eleven and twelve?
INSPECTOR: You were… you were… now look here Prone, you’re not suggesting…
PRONE: I’m not suggesting anything Inspector. I only want you to get the facts. Now, where was I this morning?
INSPECTOR: I expect you were in the garden - gardening the beds.
PRONE: And did anybody see me gardening?
INSPECTOR: How the devil should I know? Now see here Prone, I don’t like your tone.
PRONE: I’m only trying to do your job, Inspector. It isn’t always a very pleasant one.
INSPECTOR: I’m sorry. I’m sorry about that. It’s just that you got me on the raw. Of course we’ll do all we can to help you.
PRONE: And now the Constable would like to ask me a few questions.
CONSTABLE: I… I… Oh dear, I don’t know what to say.
INSPECTOR: Can’t you see the Constable’s overwrought? He’s not himself.
PRONE: Let me see your shoe, Constable. Just as I thought. This speck of gravel is identical to the gravel in Mrs Tallow’s drive. You were there this morning, weren’t you? Come clean now, Constable.
CONSTABLE: Oh, what’s the use? You’re too clever for me.
INSPECTOR: Is this true, Constable? Why didn’t you tell me?
CONSTABLE: I thought you’d be angry.
PRONE: And what were you doing there?
INSPECTOR: Look here, Mr Prone - you’re not implying that the Constable is in some way implicated in this affair?
PRONE: I am implying that at 11.15 precisely, he looked in through the large bay window and saw the murder done - correct, Constable?
CONSTABLE: I’m sorry, Inspector. I couldn’t help it.
PRONE: Yes, Constable. I’m afraid the game’s up. You looked through that window and saw me stab Mrs Tallow.
CONSTABLE: Yes, yes. I confess.
PRONE: In that case I’m afraid you have no alternative but to arrest me for wilful murder, and of course to caution me.
INSPECTOR: But this is absurd, Mr Prone. We can’t possibly arrest you on such tenuous evidence as that. There’s no proof.
PRONE: The Constable saw me do it.
INSPECTOR: I don’t see what that’s got to do with it. He’s not a reliable witness. He’d soon break down under skilful cross examination.
PRONE: My fingerprints are all over the murder weapon.
INSPECTOR: But this is all purely circumstantial evidence. Besides, we haven’t found it.
PRONE: Look in my pocket.
INSPECTOR: I haven’t a search warrant. No, no. I tell you, Mr Prone, we haven’t got enough to go on. For instance, what motice did you have?
PRONE: Money. She left me all she had. It’s no use, Inspector. You must arrest me.
INSPECTOR: Are you threatening me, Prone? I warn you, I have influential friends in the force.
PRONE: Constable, take me into custody.
INSPECTOR: You’ll never get away with this.
PRONE: I’m coming quietly, Inspector. You always get your man in the end.
INSPECTOR: Alright, you devil Prone. You win. But let us have one last drink before you go. Won’t you join us?
PRONE: Not while I’m on duty, thank you. Wait, what were those white crystals you put in those glasses? Give them to me!
INSPECTOR: Too late, Prone. We’ll never live to run you in. You see, that was cyanide we drank.
(The Inspector dies)
CONSTABLE: Oh no, Mr Prone - you’ll never hang.
(The Constable dies)
PRONE: Damn, damn, damn. I’ve slipped through their fingers again. I should never have allowed them that last drink. I thought it was the perfect crime, but like all murderers, I made on fatal mistake.

(First performed by Peter Cook, David Johnson and Ray Mitchell)
(Published in Tragically I Was An Only Twin: The Complete Peter Cook Edited by William Cook, 2003)

(text copied from http://www.jgthink.com/2009/05/guilty-party-by-peter-cook-1959.html)

mariposima:

Derek and Clive in ‘65.  Grubby boys.

mariposima:

Derek and Clive in ‘65.  Grubby boys.


The Wednesday Play(TV Series 1964–1970)Alice in Wonderland

The Wednesday Play(TV Series 1964–1970)Alice in Wonderland

Alice in Wonderland (Jonathan Miller, 1966).

(via eatingbambis)

(via eatingbambis)

1972projects:

1961: The Beyond The Fringe team - Peter Cook, Jonathan Miller, Alan Bennett & Dudley Moore - in Regents Park
http://www.1972projects.blogspot.com

1972projects:

1961: The Beyond The Fringe team - Peter Cook, Jonathan Miller, Alan Bennett & Dudley Moore - in Regents Park

http://www.1972projects.blogspot.com